Title: Diachronicles
Artist: Giulia Parlato
Witty Books
23 x 30 cm
120 pages
Soft cover with Swiss binding
Design by Nicolas Polli
Text by David Campany
February 2023
ISBN: 979-12-80177-21-6
์ ํํ์ ์ํ์ ์ฅ๋ฐ๊ตฌ๋์ ๋ด์์ต๋๋ค.
์ฅ๋ฐ๊ตฌ๋์ ์๋ ์ํ๊ณผ ๊ฐ์ด ์ฃผ๋ฌธํ ๊น์?
“Diachronicles” is an examination of the historical space, regarded as a fictional container where an apparent collection of evidence opens up to the fantastic. In this space, the attempt to reconstruct the past falls into phantasmal gaps, where things are generated, used, buried, unearthed, transported, and relocated.
This nomadic and fragmentary nature of what has been left behind, reveals how the movement, transfiguration, and misinterpretation of objects shape historiography and ultimately, the real.
In the impossible search of academic legitimation, the viewer is invited into a world where the factual and the fake overlap. The work is about the absence of memory and addresses the leading role archaeology, photography and the museum space play in a historical narrative. In doing so, the human body is used to suggest scale and as a means to display objects.
Furthermore, “Diachronicles” digs into a parallel history, filled with disappearances, figures to decode, nonexistent artefacts and forgeries hidden in museums basements.
- From the publisher’s website
“Diachronicles” is an examination of the historical space, regarded as a fictional container where an apparent collection of evidence opens up to the fantastic. In this space, the attempt to reconstruct the past falls into phantasmal gaps, where things are generated, used, buried, unearthed, transported, and relocated.
This nomadic and fragmentary nature of what has been left behind, reveals how the movement, transfiguration, and misinterpretation of objects shape historiography and ultimately, the real.
In the impossible search of academic legitimation, the viewer is invited into a world where the factual and the fake overlap. The work is about the absence of memory and addresses the leading role archaeology, photography and the museum space play in a historical narrative. In doing so, the human body is used to suggest scale and as a means to display objects.
Furthermore, “Diachronicles” digs into a parallel history, filled with disappearances, figures to decode, nonexistent artefacts and forgeries hidden in museums basements.
- From the publisher’s website